BRANCUSI AND SERRA: IN DIALOGUE

Maillol’s Venus, an idealized nude, stands opposite the entrance doors and echoes Brancusi’s Caryatid in that she is a female figure and refers to antiquity. Like her counterpart, she does not take any notice of the spectator.^*

* This work was also a part of the exhibition Exploring Ando's Space: Art and the Spiritual. Click here to read that web catalogue entry.